
I know this is not the case but the lack of a 'point' or an agenda it the film means that it naturally fills it with its own, which is a weird feeling.īut then again – I guess it is a comedy. However if this is the point it is trying to make then it really hurts itself with the rest of the film seeming to say 'so why not get on board'. I suspect the message of the film is that our financial systems are screwed and that ultimately the rich will never be in the same world as the average person, because this is what I took from the rather sobering final scenes. Wolf of Wall Street never has any of that and it hurts it. This scene is important because it works as a microcosm of the whole film – the appeal but also the cost, all in one place. If you remember the opening of Goodfellas you'll remember that it opens with a memorably violent scene where an near-dead man in the back of a car is stabbed by Hill and his colleagues in a scene that is oppressive and violent but yet ends with the narration telling us 'as far back as I can remember I wanted to be a gangster' and snaps to credits under a big track from Tony Bennett. The structure, subjects and delivery of this film is so inherently similar to Goodfellas that it is hard not to mention it. In this regard the film works really well because throughout the film I really was glad to be part of it and wanted it for myself I don't think the film goes out of its way to glamorize this excess and this life, but for sure it doesn't do much to balance it – and this really is my problem with the film. The viewer is swept along and I guess to a point this is the film doing its job well because not only are we being told a story but we are first hand seeing how easy it is to get caught up in the grab for success, for money, for status. It is hard not to enjoy it.Īnd this is a problem, because the first 2 hours and a bit of this film is really engaging and enchanting in how much of a rush it gives you, how enticing it is and just how much vibrant energy it all has. Now I am sure that was a political move by the studio, but it does say something about the film because indeed for most of it we have stuff so unbelievable and so excessive that it is hard not to laugh at it. It also arrives with some other stuff because the film has been criticized for near glamorization of the excesses that Belfort was able to experience with his ill-gotten funds and, to be honest, it is an impression that isn't helped when you consider that this film was put forward to the Golden Globes in the Musical/Comedy section.

For every individual but also society as a whole.This film arrived in the UK with awards and Oscar nominations all around it, adding an expectation which it really didn't need adding since even without any of that it is ultimately a Scorsese film with a big name cast. Sardonic in humor and unflinching in showing the depravity of its characters, it marks somewhat of a different approach to the world of stock-trading than Oliver Stones Wall Street.Where Stone seems more in line with Bertold Brecht who considered theater (or in this case film) a moral institution, does Scorsese take the position of the omnipresent observer of the dark side of the American and in many cases the human dream.Leonard DiCaprio gives another stellar performance of great intensity and even greater tragedy while this tale of corruption, greed and self-righteousness unfolds.Its a vast panorama that shows how during the last twenty-five to thirty years gullibility as well as our innate greed make all of us accomplices in this never-ending pyramid scheme far away from any reality.One could almost hear Scorseses clerical background come to the fore again, according to which nobody is without sin, and therefore we are all susceptible to corruption.It is our decision on which side we choose to live that makes the difference.

The suits might be more expensive but the people who wear them are just as sick and violent as their street-mob counterparts.

The Wolf of Wall Street is the equivalent of something like Good Fellas or even more so Casino but set in the world of finance. Review: Brilliantly acted, superbly written and as one would expect from a picture by Martin Scorsese, it is a masterclass of directorial craft.Showy when it needs to be, but also quiet and contemplative.
